I was pleased to receive an advance copy of the new Blackbirds' CD "Breaking and Entering". Mike Slajchert, who pretty much IS Blackbirds, has published two privately circulated CDs since I last reviewed his work, once more for the benefit of his favorite charitable organizations. His current work continues his stellar instrumental work (I guess it's easier to get your drummer or keyboardist to play what you want if you are the drummer or keyboardist yourself.) The record leads off with a great cover of Townes Van Zandt's "Flyin' Shoes", a perfect vehicle for Slajchert's world-weary vocals. The guitar work is tasty. "Life Goes On" is well worth the listen, if only for the slide guitar-harmonica solo. "While You Were Sleeping" would fit in nicely in an 80s or 90s pop collection; it's got great, jangly guitars, and a good vocal hook, and introduces the latest of his backing vocalists, who appear later to even more advantage on "We'll Get By." Sarah Boyle makes her Blackbirds debut on "One More Year", and it's a great listen. Her voice simply drips country sensibility, and the duet with Slajchert is a perfect fit for the lyrics about a couple living on the edge of a relationship, but ready to give it a last chance. "The White Ship" is one of those songs that would be right at home in the 60s, perhaps listened to best while under the influence of some mind-altering substance. Instead of the usual harmonies, this one works in 5ths, minor keys, and unexpected key changes. The guitar solo builds to an amazing conclusion, and the whole song captures a ghost-ship vibe in uncanny fashion. The album closes with an achingly-touching instrumental, with some amazing slide work.
Hopefully, Slajchert will decide to make this record more readily available to a wider audience; it deserves a listen.
J. Morris - Island Radio (Jun 1, 2009)
"Stop-Time", the new release from Blackbirds (available only privately at this time) represents quite a departure from the previous efforts of the Chicago alt/country/folk group. In fact, it is entirely the solo work of Mike Slajchert, who branches out into some genre-stretching. The breadth of his instrumental range on this album is impressive, as he doesn't hesitate to experiment. The last three tracks, however, change the entire tone; they are all entirely solo acoustic, and seem to be one-take, no-overdub affairs. The ventures into electronica earlier on are all well done, and seem to attest to Mike's early days in rock. Altogether, a fine effort, and all profits go to benefit a school in the war zone in Uganda.
Sam Ellison - SongRamp (Dec 14, 2008)
Review of "Only Love Survives"
Truly acoustic, truly artistic, just plain fantastic!
If you are reading this, click the play button and follow along, it's going to be a good review.
By the end of this song you will have noticed that the build between the vocals, guitar and bass guitar is steady and well thought out. By the end of this song, you will also realize, that was perfect song writing.
I love intermediately- placed fills, whether the vocal fill or the guitar fill.
The snyth adds at about 3:00, and just a minor fill line, but an accent, a hint, repeats once.
The acoustic leads are clean, very Martinish. The back ground vocals are harmony, not just there, but really adding to the camber of the overall hook.
The vocals themselves fit acoustic sound, I really mean it. This singer was made for the acoustic genre, he is an acoustic instrument.
Outstanding words, harmonies, structure, mixing, the works.
Good tune, thanks for sharing your music with all of us.
- RJ Dennis, Marble Falls, Texas
RJ Dennis - Garageband (Jul 15, 2007)
Scharpf and Slajchert played together and also took their turns on stage alone, increasing the intimacy that was already evident in the venue. With his silver acoustic guitar aptly named "Peace Machine," Slajchert chose socially-geared songs that resonated with the night’s cause, such as Bruce Springsteen’s "Philadelphia," and proved his knowledge of an emotional economy in music.
Scharpf energetically put rhythmic voice to his acoustic guitar on some classic American songs, and he pleased the crowd with some of his most memorable tunes as well, such as Jamestown’s "Roanoke" and his pensive song, "Leaving the Country."
The highlight of the evening came near the end of the set list when Slajchert and Scharpf shared the stage together for a personal, acoustic rendition of Springsteen’s "Born in the USA." Though a majority of the crowd had not been born when the American hit dominated radio stations, the audience slowly and softly sang in unison during the chorus, which calls for political movement.
The benefit became an intimate evening within the inviting walls of Molly Malone’s, but its purpose was never silent or whispered; it was undeniably loud. And it was heard.
David M. McCarthy - Forest Park Review (May 24, 2006)
I'd Buy This Guy a Beer
There's a weathered, uneasy sound in this quavery vocal that I like. The singer takes a tenative stance, just like any well lived life should take.
The words are honest. Can't ask for more.
The harp is heartbreaking and delicate.
The production is muddy and the lead guitar sounds like it was recorded in another room. But I don't care. Cuz the song is real.
You could spend the money to record this in a proper studio and send it out to folk-based websites and stations and see if you get any action. In the meantime it's a proper testament to your life so far.
Well done.
There's a guy in Nashville named Tom Mitchell that this reminds me of. He's not famous. He works part time in a grocery store. But he's a good songwriter.
(review of "Back to Where I've never Been)
Vancouver, B.C., Canada
John Pippus - Garageband (Mar 14, 2007)
Very simple chord pattern disguises a deeply complex song. The pattern builds very subtly as the singer's story unfolds. The vocal is pristine, has a quality rarely seen. The guitar work is absolutely beautiful; the solo couldn't be more clean and tasty, with the double-stops ringing like a bell. Wonderful song.
Review of "Deficits of the Heart"
download.com (Oct 31, 2006)
REVIEW OF "DEFICITS OF THE HEART"
Art at its best
production jumps at me right out of the gate hello you are singing a very well performed peice of art...so enduring you story in the lyrics... one does not Have to like this song one just does... the arrangement is so que... the players are together to complement this song you relay to this audience...beautifull job another keeper...the acoustic guitar very talented player with a good addition to round out the peice...radio wise it may be just a bit long...but what a good song that would be hard to trim anywhere of this peice...the lead guitar is pleasing not overpowering the other player but more like enhancing...the levels are que did not have to adjust anything on my player... very good job on a fresh new song that touches the heart and causes the mind to paint pics of what you are saying musicly...good song.
Skinrabbits - IndieArtistReview (Sep 1, 2006)
REVIEW OF REQUIEM FOR A FRIEND
Oh boy....
I fell in love with this song the second that first minor note hit my ears. I'm not gonna say much, except you're probably the next Neil Young, and that's saying a lot. In fact, i'd really like a copy of your album if you have one available. wow... this is a beautiful song.
B.L. Farber - garageband.com (Oct 8, 2006)
"Icarus" is almost the perfect song. Simple in structure, dense in meaning and emotion. The music reflects the lyrics perfectly - there is a feeling of flight here that carries you away.
DOWNLOAD.COM (Apr 5, 2006)
What a deep heartfelt emotion here... makes me think over and again.. thanks for the good work here:)
Gospelmusicroundup - Songramp
You've captured the serenity beautifully and Claire, you have the voice of an angel. I am spellbound.
Jules Bloeth - Songramp (Apr 9, 2006)
Review of "Soldier"
Oh my. You've left me pretty well speechless here. You've done an amazing job with this one. The shame of it is that songs like this are needed.
B G Jeff - SongRamp (Apr 8, 2006)
Review of "Good Friday"
Great song! love the rich tones and the awesome truths within. thank you so much for letting me hear this!
Gospel Music Roundup - SongRamp (Apr 9, 2006)
Excellent write/tribute - the female voice singing the high octave sounds great. Great performance. I can hear Neil Young trying this one for size.
BoReevas - SongRamp (May 9, 2006)
Outstanding lyrics hitting close to home. My brother is 44 years old, and officer and pilot in the Navy with over 25 years active duty and they just sent him to Iraq for 1 year ground duty.
Jeff Keane - SongRamp (Apr 13, 2006)